Sometimes you have to wait forever for something that you want. Forever is an elastic term though – at the age of 16 waiting a year for the next album by your favourite group can seem like forever, in your thirties waiting five years may seem reasonable (as long as they make a good album).
Warrior was a British comic magazine published in the first half of the 1980s which had several strips by the awesome Alan Moore. The two regular ones were V for Vendetta and Marvelman (the latter will be the subject of another post). Due to various issues Alan Moore stopped writing for Warrior and both strips went on hiatus. V for Vendetta was eventually picked up by DC comic after three long years.
Set in the late 90s after a nuclear war that happened in the 1980s Britain was now a fascist regime under the Tory Party, I mean Norsefire. V is an anarchist intent on overthrowing that regime. Fans speculated that he was actually Marvelman, 15 years after the stories in his own strip. Who V was totally missed the point, it was about anarchy. Now it has to viewed through that 80s prism but it is s tilla compelling story It was turned into a film that Moore hated (Moore’s deal had been that copyright would revert to him when the strip had been out of print for a year, which then would usually have been quickly but DC have kept it in print, outside the spirit of the agreement).

Now famous for popularising the V mask used by protesters the world over, better known to the British as the Guy Fawkes mask.

Unlike V we never got to see all (or even most) of Alan Moore’s Big Numbers. A non-superhero story set in Northampton it was self-published after his falling out with the major comic companies. Beautifully illustrated by Bill Sienkiewicz, only two issues were released, though work was done on the third. There appears to be no chance of this being finished, Moore is no longer interested. It was a non-superhero work set in Northampton from Moore’s own publishing company.

Lovejoy was originally a book series that the BBC adapted in 1988. Set in beautiful East Anglia it did tone down some of the rougher edges of the novels but was excellent. Ian McShane got work on Dallas and it looked like there would be no more episodes, but five years later it came back. Noticeably different in tone, it was far less tense and much more mystery of the week (why do TV producers want to turn everything into mystery of the week?), like it was going for a rural Minder vibe. The wait was not worth it.

At the moment the wait for the next book of A Song of Fire and Ice (Game of Thrones for the less well informed – though that is just the title of the first novel) is the worst. So far there have been five novels and the waits between books have been 3, 1, 5 and then 6 years. It has now been 9 years since A Dance With Dragons and The Winds of Winter does not have a firm release date. The books are far more complex than the TV series (and the fall off in quality on TV when the books ran out showed badly) so it seems to get harder and harder to keep all the storylines coherent. Martin is now in his 70s and not in the best of physical condition. I really want to read the whole thing.

I love Guns ‘n’ Roses. After Use Your Illusion they did a covers album and it went dark. For years Chinese Democracy was promised as the next release as every member of the group apart from Axl left or were fired (and when Chinese Democracy arrived in 2008 it was not worth waiting for). Fortunately in 2004 Velvet Revolver released Contraband. A line up that included three ex-Gunners – Slash, Duff McKagan and Matt Sorum, along with two others produced what was really the next instalment of the Guns ‘n’ Roses story. Scott Weilland is not in Axl’s class as a vocalist but it was the best we got in 2004 and it was just about worth the wait.

I hate unresolved stories and careers – I know I am a bit OCD about it, but I will wait.
Sucker Train Blues





























